Early Life
Keith took to music at a young age, beginning with the ukulele at age three, the guitar at five, and the piano at seven years of age. His talents were noted by a major newspaper by the time he was only eight years old. Following a performance of Arthur Laurents' The Time of the Cuckoo, a local review by the Los Angeles Times wrote that "roguish-looking, eight-year-old Keith Green gave a winning portrayal" as "the little Italian street urchin, Mauro"; another review commented that he "stole the show". The show was Keith's first appearance in live theater, which was held in Chatsworth, California, in September 1962. According to the LA Times, Green had already "done a number of television commercials and...made a TV pilot."
At 10 years old, Green went on to play the role of "Kurt von Trapp" in a local community theatre production of The Sound of Music at the Valley Music Theater in Woodland Hills, California.
In February 1965, with forty original songs already written by him, Green and his father, Harvey, signed a five-year contract with Decca Records with Harvey as business manager. The first song released on disc was A Go-Go Getter in May 1965 (produced by Gary Usher), which he had earlier composed and published before signing on with Decca. Upon publication of this song, Green became the youngest person ever to sign with the American Society of Composers, Authors and Publishers (ASCAP).
Decca Records planned to make Green a teen idol, regularly getting the young pre-teenager featured in fanzines like Teen Scene and on popular television shows like The Jack Benny Show and The Steve Allen Show. Keith was a guest on the television game show I've Got a Secret on May 3, 1965. His secret was "I just signed a five-year contract as a rock-'n'-roll singer." The segment included a live performance of We'll Do a Lot of Things Together.
By the time Green was twelve, he had written ten more songs, and Time magazine ran a short piece about Green in an article about aspiring young rock-'n'-roll singers, referring to him as Decca Records' "prepubescent dreamboat". However, after national attention envisioned by Decca Records failed to materialize for Keith, Donny Osmond captured the attention of pre-teens and teenagers, eclipsing Keith's newfound stardom, and Keith was quickly forgotten by the public.
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