Media Attention
Knightley has been described by press reports as "famously open with media," although Knightley herself has stated "I don't talk about my private life."
Knightley has appeared many times in FHMs 100 Sexiest Women in the World list. Ranked No.79 in 2004 she climbed to No.18 in 2005, and was named "the sexiest woman in the world in 2006." In 2007, she was 12th, 10th in 2008, and came 36th in 2009. The US edition ranked her No.54 in 2004, No.11 in 2005, and No.5 in 2006. In May 2006, she was No.9 on Maxim's 2006 Hot 100. Knightley appeared nude, along with Scarlett Johansson, on the cover of Vanity Fair magazine's March 2006 "Hollywood" issue.
Knightley was the celebrity face for the luxury goods brand Asprey, Shiatzy Chen as well as Lux haircare products in Japanese television commercials. In April 2006, she was confirmed as the new celebrity face of Chanel's perfume Coco Mademoiselle, though the first photo from the campaign was not released until May 2007.
The dress she wore to the 2006 Academy Awards was donated to the charity Oxfam, where it raised £4,300.
A 41-year-old man was charged with harassment in February 2010 after trying to contact the actress on several occasions outside the Comedy Theatre in London, where she appeared in the play The Misanthrope. The subsequent trial folded after the actress was unavailable to testify in court.
Read more about this topic: Keira Knightley
Famous quotes containing the words media and/or attention:
“The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.”
—Serge Daney (1944–1992)
“Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren’t a little flower somebody sewed on.”
—Peggy Noonan (b. 1950)