On The Road and Recording Career
Coinciding with her recording at Columbia, Moffatt opened for such performers as Charlie Daniels, Warren Zevon, Muddy Waters, and Steve Martin, and she toured with Leo Kottke. She also worked with Willie Nelson and Andrew Gold, appeared with Poco and John Prine, and toured with Jerry Jeff Walker, J.D. Souther and the Allman Brothers. For a brief time in the early 1980s, while waiting out two management contracts, Moffatt was a sought-after and featured touring harmony and duet singer for four prominent acts.
With that music industry experience behind her, she returned to making records including recording several songs for the short-lived Permian record label that were released to country radio and pursued an ever-expansive solo artist's path. She began making records as she wanted them to be made and licensed several gems which became favorites and remain so within her body of work thus far, including "Walkin' On the Moon", "The Greatest Show on Earth" (aka "The Evangeline Hotel"), "Hearts Gone Wild", and "Angel Town".
Like many American singer/songwriters, Katy Moffatt is honored both abroad and in her own country. She regularly tours Europe and the U.K.
Read more about this topic: Katy Moffatt
Famous quotes containing the words road, recording and/or career:
“Who does not see that I have taken a road along which I shall go, without stopping and without effort, as long as there is ink and paper in the world? I cannot keep a record of my life by my actions; fortune places them too low. I keep it by my thoughts.”
—Michel de Montaigne (1533–1592)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)