Work
It was the death of her brother in the First World War that led Roberts to writing. She used her literary work as a means of coming to terms with her loss.
Her first volume of short stories appeared in 1925 O gors y bryniau ("From the swamp of the hills") but perhaps her most successful book of short stories is Te yn y grug ("Tea in the heather") (1959), a series of stories about children. As well as short stories Roberts also wrote novels, perhaps her most famous being Traed mewn cyffion ("Feet in chains") (1936) which reflected the hard life of a slate quarrying family. In 1960 she published Y lôn wen, a volume of autobiography.
Most of her novels and short stories have as a background about the region where she lived in north Wales. She herself said that she derived the material for her work, "from the society in which I was brought up, a poor society in an age poverty ... it was always a struggle against poverty. But notice that the characters haven't reached the bottom of that poverty, they are struggling against it, afraid of it." Her work deals with the uneventful lives of humble people and how they deal with difficulties and disillusionments.
Her work is remarkable for the richness of her language and for her perception. The role of women in society and progressive ideas about life and love are major themes in her work.
She also struck up a literary relationship with Saunders Lewis which they maintained over a period of forty years through the medium of letters. These letters give us a picture of life in Wales during the period and the comments of these two literary giants on events at home and abroad.
Many of her works have been translated into other languages.
Read more about this topic: Kate Roberts (author)
Famous quotes containing the word work:
“Oh sure, everyone goes back to the earth at some point, but life itself is a thread that is never broken, never lost. Do you know why? Because each man makes a knot in the thread during his lifetime: it is the work he has done and that’s what gives life to life in the long stretch of time: the usefulness of man on this earth.”
—Jacques Roumain (1907–1945)
“Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.”
—Elie Wiesel (b. 1928)
“But I must needs take my petulance, contrasting it with my accustomed morning hopefulness, as a sign of the ageing of appetite, of a decay in the very capacity of enjoyment. We need some imaginative stimulus, some not impossible ideal which may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine- work which is so large a part of life.”
—Walter Pater (1839–1894)