Works
Her poetry and short stories were well received, but she came into her own with her novels. Her first, Snake was described variously as "lethal and fast-moving" (Publishers Weekly), "a narrative of pure anguish" (Times Literary Supplement), and "possessing a holographic shimmer" (New York Times Book Review). It was reported to have just missed the Booker Prize shortlist. Moral Hazard has been called "humane and unsparing; witty, unsettling, and wildly intelligent" by Shirley Hazzard, author of The Transit of Venus.
Jennings was awarded the Christina Stead Prize for fiction for Moral Hazard, which was also shortlisted for the 2003 Miles Franklin Award, the Los Angeles Times Fiction Prize, and the Tasmania Pacific Region Prize. Snake was a New York Times Notable Book of the Year, as was Moral Hazard.
Both books contain strong autobiographical elements, Snake being about a girl growing up on a Riverina farm in the 1950s, and Moral Hazard about a couple facing Alzheimer's in the husband while the wife works as a speechwriter on Wall Street.
In 2008, she published Stanley and Sophie, a memoir ostensibly about her dogs but also about life in New York City after 9/11, politics in the U.S. and her encounters with two macaques in Bali at the time of the 2005 bombing there.
In March 2010, she published "Trouble", an autobiographical collection of her best work from the last four decades, covering topics from politics, morality, finance, feminism and the writing life.
Jennings is also known for writing outspoken essays and op-eds on the state of fiction, the direction of feminism, malfeasance in the financial industry, and the abuse of language in the business world. Andrew Field, a prominent Nabokov scholar, describes Jennings as a "ferocious truth-teller, He also cites her "humor, her obdurate individuality, and her willingness to say what other people won't."
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Famous quotes containing the word works:
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (1700–1748)
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“It is the art of mankind to polish the world, and every one who works is scrubbing in some part.”
—Henry David Thoreau (1817–1862)