History
The land for Capitol Square was donated by Cyrus K. Holliday via his Topeka Town Company in 1862. The master architect was Edward Townsend Mix with the wings designed by John G. Haskell. Construction on the East Wing began in 1866, using "native" limestone from Geary County, Kansas. Construction began on the West Wing in 1879 using limestone from Cottonwood Falls, Kansas and in 1881, the legislature authorized and appropriated funds for the construction of a central building to link the two wings. Construction of this central building began in 1886, and the contract for dome construction was let in May, 1889. The building was declared officially complete in 1903, after thirty-seven years of construction.
It was not until 1988 that a design for a sculpture to stand atop the dome was finally approved. Ad Astra, a 22'-2" bronze sculpture weighing 4,420 lbs, was installed atop the dome on October 10, 2002. The sculpture depicts a Kansa Native American with bow and arrow pointed at the North Star and was chosen from 27 entries to adorn the dome. The title Ad Astra is Latin shortening of the state motto Ad Astra Per Aspera To the stars through difficulty. The sculptor is Richard Bergen.
In 1898, Jerome Fedeli painted frescos near the top of the dome in the rotunda. Fedeli's work depicted bare-breasted classical women. However officials referred to the paintings as "Nude Telephone Girls" and had them painted-over. In the 1930s, John Steuart Curry painted murals on the second floor including the building's most famous painting—Tragic Prelude—which depicts an oversize and raging John Brown wedged between flames and a tornado. Curry's work gained considerable notoriety for depicting unsavory aspects of Kansas history and he left them unsigned and did not complete a commission to paint murals in the rotunda. From 1976 to 1978, Lumen Martin Winter painted the murals in the rotunda.
Read more about this topic: Kansas State Capitol
Famous quotes containing the word history:
“Only the history of free peoples is worth our attention; the history of men under a despotism is merely a collection of anecdotes.”
—Sébastien-Roch Nicolas De Chamfort (1741–1794)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)
“History is the present. That’s why every generation writes it anew. But what most people think of as history is its end product, myth.”
—E.L. (Edgar Lawrence)