Kamen Rider - Films

Films

  • 1971: Go Go Kamen Rider (ゴーゴー仮面ライダー, Gō Gō Kamen Raidā?) - movie version of Episode 13

The Shocker Organization sends two of its Inhumanoids to destroy an atomic plant, but their plan is foiled by an invisible barrier that surrounds the complex. Because of this, they abduct a top soccer player and convert him into Tokageron, a lizard Inhumanoid capable of kicking a 5 kg bomb to destroy the plant's barrier. Kamen Rider must once again combat the Shocker and prevent them from destroying the atomic plant.

  • 1972: Kamen Rider vs. Shocker (仮面ライダーVSショッカー, Kamen Raidā tai Shokkā?)

Professor Daidōji (大道寺博士, Daidōji Hakase?) has developed a gravity machine called the GX Device. Unfortunately, Shocker wants it; so they attack the professor and destroy his laboratory, but come home empty-handed. Shocker's agents find out that the plans for the GX Device are with Daidōji's daughter, who is celebrating her birthday. Now the Kamen Riders, along with FBI agent Kazuya Taki, must protect Daidōji's daughter and prevent Shocker from obtaining the plans.

  • 1972: Kamen Rider vs. Ambassador Hell (仮面ライダーVS地獄大使, Kamen Raidā tai Jigoku Taishi?)

Takeshi Hongo and FBI agent Kazuya Taki fake their deaths when they are attacked by Shocker soldiers during a motocross race. They disguise themselves as Shocker soldiers and infiltrate the main headquarters, but it doesn't take too long for Ambassador Hell to find their whereabouts and trap them. Before he detonates a bomb within the base, Ambassador Hell tells Kamen Rider #1 and Taki that Shocker is preparing a giant laser capable of destroying cities. Our two heroes must escape from the base's self-destruction and stop Shocker from arming their latest weapon. Not only that, they must rescue Tachibana and the racing club, who have been abducted by Shocker's minions.

  • 1975: Five Riders vs. King Dark (五人ライダー対キングダーク, Gonin Raidā Tai Kingu Dāku?)

During a motocross practice, Keisuke Jin is ambushed by two Myth Cyborgs created by a secret organization that's attempting to control Japan, G.O.D. He transforms into Kamen Rider X, but little does he know that his battle is recorded and analyzed by King Dark, G.O.D.'s commander, to create a super cyborg. Other G.O.D. cyborgs are attacking all over Tokyo and, in the middle of the crisis, the original four Riders return to Japan from different countries around the world. The five Riders unite to lead a counter attack against G.O.D. Hiroshi Fujioka and Takeshi Sasaki reprised their roles as Kamen Rider #1 and Kamen Rider #2 in this movie, before going on to be absent from the films of the franchise until Let's Go Kamen Riders, almost 36 years later. This movie also marks, even today, the last film appearance of the original Takeshi Hongo and Hayato Ichimonji in their human forms, although it was done by reusing footage from earlier features.

  • 2005: Kamen Rider The First

Premiered in November 2005, this movie retells the origin of Kamen Rider #1 and Kamen Rider #2 in a 21st-century setting.

  • 2007: Kamen Rider The Next

Premiered in October 2007, this sequel to Kamen Rider The First retells the origin of Kamen Rider V3, who teams up with Kamen Riders 1 & 2 to fight Shocker.

  • 2011: OOO, Den-O, All Riders: Let's Go Kamen Riders (オーズ・電王・オールライダー レッツゴー仮面ライダー, Ōzu Den'ō Ōru Raidā: Rettsu Gō Kamen Raidā?)

Released on April 1, 2011, commemorates the 40th anniversary of the Kamen Rider Series, featuring the cast and characters of the original Kamen Rider, Kamen Rider Den-O, Kamen Rider OOO and other characters from past iterations of the franchise.

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Famous quotes containing the word films:

    Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.
    Marjorie Rosen (b. 1942)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    Right now I think censorship is necessary; the things they’re doing and saying in films right now just shouldn’t be allowed. There’s no dignity anymore and I think that’s very important.
    Mae West (1892–1980)