Kamal-ol-molk - Biography

Biography

Mohammad Ghaffari, better known as Kamal-ol-Molk, born in Kashan in 1847, to a family greatly attached to art, was undoubtedly one of the most eminent artists in Iran. Dubbed as the Michelangelo of Persia, his uncle, Mirza AbolHassan Khan Ghaffari, known as Sanee-ol-Molk, a 19th century celebrated painter, was unrivalled in watercolor portraits. His father, Mirza Bozorg Ghaffari Kashani, was the founder of Iran's painting school and a famous artist as well. His brother, AbuTorab Ghaffari, was also a distinguished painter of his time. Mohammad developed an interest in calligraphy and painting at a young age. In his childhood eagerness, he drew charcoal sketches on the walls of his room. Some of the sketches he drew in that very house may amazingly, still be visible.

Upon completion of his primary education, Mohammad moved to Tehran. To further his studies, he registered in Dar-ul-Funun School, a modern institute of higher learning in Persia, where he studied painting with Mozayyen-od-Doleh, a well-known painter who had visited Europe and studied Western art. He studied there for a period of three years. In his school days, the young Ghaffari was given the name Mirza Mohammad Kashi. In this short period of education he was able to attract public attention to himself as a talented artist.

In his visits to Dar-ol-Fonoon, Nasereddin Shah Qajar came to know Mohammad Ghaffari and, having observed his talent, he invited him to the court. Mohammad did his best to perfect his technique. Noticing his mastery in painting, Nasereddin Shah gave him the title "Kamal-ol-Molk (Perfection on Land)."

During the years he stayed at Nasereddin Shah's court, Kamal-ol-Molk created some of his most significant works. The paintings he did in this period, which lasted up until the assassination of Nasereddin Shah, were portraits of important people, landscapes, paintings of royal camps and hunting grounds, and different parts of royal palaces.

In this busiest period of Kamal-ol-Molk's artistic life, he created over 170 paintings. Unfortunately, most of these paintings have either been destroyed or taken abroad. The works he created in this period indicate his desire to discover the laws of oil painting. He advanced so much that he even acquired laws of perspective by himself and applied them to his works. His mastery in the delicate use of a brush was well as bright and lively colors distinguished him from his contemporaries.

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