Work
Kossak exhibited his work on Polish soil and abroad since 1854. His preferred medium was watercolour, both in smaller and larger formats. He was the precursor of a Polish school of battle-scene painting, with his main subject matter revolving around what was of great concern to Poles opposing the military occupation of their country. He was the author of over a dozen panoramic paintings depicting Polish cavalry in battle and on military actions against foreign invaders.
Kossak produced also a series of portraits in oil for Polish noble families including Fredro, Gniewosz, Tyszkiewicz, Lipski and Morstin clan. His rustic and pastoral scenes included horse fairs, country weddings, winter hunting excursions, mythological scenes and horse stables. He also produces a series of illustrations of Polish epic literature such as Pan Tadeusz by Adam Mickiewicz, novels of Henryk Sienkiewicz, works by Wincenty Pol, Jan Chryzostom Pasek and others. He designed various honorary medals for Kraków foundries.
Read more about this topic: Juliusz Kossak
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“There are hardly half a dozen writers in England today who have not sold out to the enemy. Even when their good work has been a success, Mammon grips them and whispers: More money for more work.”
—Aleister Crowley (18751947)
“I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see whats really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.”
—Philip Larkin (19221986)
“As for myself, I am simply Hop-Frog, the jesterand this is my last jest.... The Work of vengeance was complete.”
—Edgar Allan Poe (18091849)