Joshua Logan - Broadway

Broadway

Logan began his Broadway career as an actor in Carry Nation in 1932. He then spent time in London, where he "stag two productions ... and direct a touring revival of Camille". He also worked as an assistant stage manager. After a short time in Hollywood, Logan directed On Borrowed Time on Broadway. The play ran for a year, but his first major success came in 1938, when he directed I Married an Angel. Over the next few years he directed Knickerbocker Holiday, Morning's at Seven, Charlie's Aunt, and By Jupiter.

In 1942, Logan was drafted by the U.S. Army. During his service in World War II, he acted as a public-relations and intelligence officer. When the war concluded he was discharged with the rank of Captain, and returned to Broadway. He married his second wife, actress Nedda Harrigan, in 1945; Logan's previous marriage, to actress Barbara O'Neil, a colleague of his at the University Players in the 1930s, had ended in divorce.

After the war, Logan directed the Broadway productions Annie Get Your Gun, John Loves Mary, Mister Roberts, South Pacific, and Fanny. He shared the 1950 Pulitzer Prize for Drama with Richard Rodgers and Oscar Hammerstein II for co-writing South Pacific. The show also earned him a Tony Award for Best Director. Despite his contributions to the musical, in their review the New York Times originally omitted his name as co-author, and the Pulitzer Prize committee initially awarded the prize to only Rodgers and Hammerstein. Although the mistakes were corrected, in his autobiography Logan wrote "I knew then why people fight so hard to have their names in proper type. It's not just ego or 'the principle of the thing,' it's possibly another job or a better salary. It's reassurance. My name had been so minimized that I lived through years of having people praise 'South Pacific' in my presence without knowing I had had anything to do with."

Logan cowrote, coproduced, and directed the 1952 musical Wish You Were Here. After the show was not initially successful, Logan quickly wrote 54 new pages of material, and by the ninth performance the show looked new. In its fourth week of release, the show sold out, and continued to offer sell-out performances for the next two years.

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