Criticism
During the budget process in 1995, Bruno, who was new to the Majority Leader role at the time, made a comment about Blacks and Hispanics who "got their hands out" pressuring the legislature to avoid cuts to social services. According to the Syracuse Post-Standard, "Bruno said he was referring to the Black and Puerto Rican Caucus, which is a major force in the Democratic majority in the Assembly." Bruno's defense was that he was referring to political caucuses, not all blacks and Hispanics; he offered a blanket apology for offending some people, but refused to take his words back.
Fiscal conservative pundits originally were very supportive of Bruno's agenda in the State Senate. In later years, they expressed concern over Bruno's willingness to cooperate with Assembly Speaker Sheldon Silver on budgets deemed to be excessive, over endorsements Bruno received from state employee labor unions, including health care union Local 1199, and over Bruno's recruitment of former Democrats to run as Republicans for swing Senate districts in Syracuse and the Bronx.
In December 2006, Bruno disclosed that the Federal Bureau of Investigation had been looking into business associates of Bruno's who had received state grants. The FBI investigation appeared to lead Bruno to end one of his long-time consulting jobs in 2007.
Read more about this topic: Joseph Bruno
Famous quotes containing the word criticism:
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting!”
—Laurence Sterne (1713–1768)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)