History
The band was formed in 1979 originally as TV Art by Paul Haig (vocals, guitar) and Ronnie Torrance (drums), later joined by Malcolm Ross (guitar, keyboards), with Gary McCormack added on bass guitar, who soon left (later joining The Exploited) with David Weddell replacing him. After recording a ten-track demo, their first release was the "Romance"/"Chance Meeting" single on Orange Juice drummer Steven Daly's Absolute label in December that year. They were then signed to Postcard Records, the label founded by Daly and Alan Horne, releasing a string of critically acclaimed singles in 1980 and 1981. The band recorded their debut album, Sorry for Laughing, in 1981 at Castle Sound Studios in Pencaitland, but it was shelved, with the band unhappy with the slick production, Haig describing it as sounding "flat and disinfected", with only a few copies being released. They returned to the studio in Belgium to record The Only Fun in Town, opting for a more 'live' sound and recording the whole album in two days, Haig describing their aim: "we decided to make an almost unlistenable record with the vocals mixed down really low". It was their only album release while together, and while it placed well on the UK Independent Chart, it received a poor critical reception. Sorry For Laughing was eventually released on a 1990 CD reissue of The Only Fun In Town.
The band split prior to the release of the 1982 single, "The Farewell Single", which included the Peel session track, "The Missionary", Haig deciding to call an end to the band while they were at a creative peak. Torrance joined Boots for Dancing and later (with Weddell) formed The Happy Family with Nick Currie (aka Momus). Haig embarked on a long solo career, releasing a string of albums on his own Rhythm of Life label between 1984 and 2008, while Malcolm Ross joined Orange Juice and then played with Aztec Camera and Blancmange before embarking on a solo career. Ross and Weddell later reunited in Magic Clan.
Read more about this topic: Josef K (band)
Famous quotes containing the word history:
“There is no history of how bad became better.”
—Henry David Thoreau (1817–1862)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“In history the great moment is, when the savage is just ceasing to be a savage, with all his hairy Pelasgic strength directed on his opening sense of beauty;—and you have Pericles and Phidias,—and not yet passed over into the Corinthian civility. Everything good in nature and in the world is in that moment of transition, when the swarthy juices still flow plentifully from nature, but their astrigency or acridity is got out by ethics and humanity.”
—Ralph Waldo Emerson (1803–1882)