Influences
Blanco's early works were influenced by his teachers Gertrude Goldschmidt (Gego) and Cornelis Zitman and by the work of artists such as Auguste Herbin, Paul Klee and Joan Miró. At this time, he worked with unconventional materials such as Lycra, rope, wood, mirrors, and bronze. Blanco's sculptures were and continue to be geometric studies, interpretations of his internal world. In 1992, Blanco began to explore color and metal as a primary material.
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