Music Videos
| Year | Title | Director(s) | Album | Notes |
|---|---|---|---|---|
| 1992 | "Rachel" | Jim Spring and Jens Jurgensen | Jon Spencer Blues Explosion / Crypt Style | Released on Live Promo Video |
| 1993 | "Afro" | Tom Surgal | Extra Width | |
| 1994 | "Dang" | Steve Hanft | Orange | |
| "Flavor" | Evan Bernard | Features Mike D of the Beastie Boys and Beck | ||
| 1995 | "Bellbottoms" | Tom Surgal | ||
| 1996 | "2Kindsa Love" | Mike Mills | Now I Got Worry | |
| 1997 | "Wail" | Weird Al Yankovic | ||
| 1998 | "Magical Colors" | Terry Richardson | Acme | A series of still photographs |
| "Talk About The Blues" | Evan Bernard | Stars Giovanni Ribisi as Judah Bauer, John C. Reilly as Russell Simins and Winona Ryder as Jon Spencer. | ||
| "Attack" | - | With Alec Empire, video released on Digital Hardcore compilations | ||
| 2002 | "She Said" | Floria Sigismondi | Plastic Fang | |
| "She Said (100 Club)" | Barney Clay | |||
| "Sweet 'n' Sour" | Stylewar | |||
| 2004 | "Burn It Off" | Stylewar | Damage | |
| "Hot Gossip" | David Raccuglia | Features Chuck D of Public Enemy |
Read more about this topic: Jon Spencer Blues Explosion
Famous quotes containing the words music and/or videos:
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)
“Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.”
—C. John Sommerville (20th century)