Works
| Title | Type | Year | Notes |
|---|---|---|---|
| The Devil Inside | Theatre | 1950 | with Stella Linden |
| The Great Bear | Theatre | 1951 | blank verse, never produced |
| Personal Enemy | Theatre | 1955 | with Anthony Creighton |
| Look Back in Anger | Theatre | 1956 | |
| The Entertainer | Theatre | 1957 | |
| Epitaph for George Dillon | Theatre | 1958 | with Anthony Creighton |
| The World Of Paul Slickey | Theatre | 1959 | |
| A Subject Of Scandal And Concern | TV | 1960 | |
| Luther | Theatre | 1961 | |
| Plays for England | Theatre | 1962 | |
| The Blood of the Bambergs | Theatre | 1962 | |
| Under Plain Cover | Theatre | 1962 | |
| Tom Jones | Screenplay | 1963 | |
| Inadmissible Evidence | Theatre | 1964 | |
| A Patriot for Me | Theatre | 1965 | |
| A Bond Honoured | Theatre | 1966 | One-act adaptation of Lope de Vega's La fianza satisfecha |
| The Hotel In Amsterdam | Theatre | 1968 | |
| Time Present | Theatre | 1968 | |
| The Charge of the Light Brigade | Screenplay | 1968 | |
| The Right Prospectus | TV | 1970 | |
| West Of Suez | Theatre | 1971 | |
| A Sense Of Detachment | Theatre | 1972 | |
| The Gift Of Friendship | TV | 1972 | |
| Hedda Gabler | Theatre | 1972 | Ibsen adaptation |
| A Place Calling Itself Rome | Theatre | (1973) | Coriolanus adaptation, unproduced |
| Ms, Or Jill And Jack | TV | 1974 | |
| The End Of Me Old Cigar | Theatre | 1975 | |
| The Picture Of Dorian Gray | Theatre | 1975 | Wilde adaptation |
| Almost A Vision | TV | 1976 | |
| Watch It Come Down | Theatre | 1976 | |
| Try A Little Tenderness | Theatre | (1978) | unproduced |
| Very Like A Whale | TV | 1980 | |
| You're Not Watching Me, Mummy | TV | 1980 | |
| A Better Class of Person | Book | 1981 | autobiography volume I |
| A Better Class of Person | TV | 1985 | |
| God Rot Tunbridge Wells | TV | 1985 | |
| The Father | Theatre | 1989 | Strindberg adaptation |
| Almost a Gentleman | Book | 1991 | autobiography volume II |
| Déjàvu | Theatre | 1992 |
Read more about this topic: John Osborne
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
—Ralph Waldo Emerson (1803–1882)
“A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
—Anita Brookner (b. 1938)