John Mark Painter (born c. 1967) is an American musician and songwriter. He is best known for his role, with his wife, singer Fleming McWilliams, in the rock and roll duo, Fleming and John.
Painter grew up in Miami, and began playing trumpet, saxophone, bass, guitar and piano by age 11.
Painter met McWilliams while attending Belmont College in Nashville, and immediately began collaborating on songs. While pursuing a record contract, Painter began playing is studio sessions for artists like Indigo Girls, Nanci Griffith and Jewel (singer).
Fleming and John released its first album, Delusions of Grandeur, in 1995 for independent label R.E.X. Records, then Universal Records. Their second album, The Way We Are in 1999 notably showcased Painter's skills as arranger and as instrumentalist on a panoply of uncommon instruments.
Painter continues to work heavily in the Nashville area as a studio musician, performing on albums by Carolyn Arends, Ben Folds Five, Fear of Pop, Owsley, Rich Creamy Paint (Rich Painter, who is John Mark Painter's nephew), Sixpence None the Richer, Gabe Dixon Band, Sevendust, Jon Foreman, Frally Folds and others.
Also producing artist such as Shapiro, Pantana, and Alva Leigh for Dweeb Records at IHOF Studio.
Painter was the composer for the 2005 animated film "Hoodwinked", the 2006 film "The Second Chance" starring Michael W. Smith, and the VeggieTales DVD "The Wonderful Wizard of Ha's".
Famous quotes containing the words john, mark and/or painter:
“[17th-century] Puritans were the first modern parents. Like many of us, they looked on their treatment of children as a test of their own self-control. Their goal was not to simply to ensure the child’s duty to the family, but to help him or her make personal, individual commitments. They were the first authors to state that children must obey God rather than parents, in case of a clear conflict.”
—C. John Sommerville (20th century)
“One mark of a second-rate mind is to be always telling stories.”
—Jean De La Bruyère (1645–1696)
“If the world would only build temples to Machinery in the abstract then everything would be perfect. The painter and sculptor would have plenty to do, and could, in complete peace and suitably honoured, pursue their trade without further trouble.”
—Wyndham Lewis (1882–1957)