Biography
Born December 3, 1969, Muir began his full-time writing career in 1996, penning several books for the North Carolina-based publisher of scholarly reference books, McFarland & Company. Muir also has written monographs about SF-TV, including Exploring Space: 1999 (1997), An Analytical Guide to Battlestar Galactica (1998), A Critical History of Dr. Who on TV (1999), A History and Critical Analysis of Blake's 7 (1999) and An Analytical Guide to TV's One Step Beyond (2001).
Muir was educated at the University of Richmond in Virginia from 1988 to 1992, where he studied for two years under renowned Hudson Review film critic, Bert Cardullo (a student of The New Republic's film critic Stanley Kauffmann). Muir also counts Pauline Kael and Roger Ebert as important career influences.
Muir's first book, Exploring Space: 1999 was published five years after his graduation from University, in April 1997. The book was the first English language attempt to analyse the television series Space: 1999 in a wider cultural context, and is sometimes compared and contrasted with a similar French book written by Pierre Fageolle.
In 2009, Muir became a member of the artist collective, Tecamachalco Underground. The following year he was a judge at the ACEFEST NYC2010 Film Festival, occurring August 20–28, 2010.
Read more about this topic: John Kenneth Muir
Famous quotes containing the word biography:
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)