Style
Like his predecessors John III used the style "El-rei" (the king) followed by "Dom" (abbreviated to D.), a mark of high esteem for a distinguished Christian nobleman.
The official style was the same used by his father Manuel I: "Dom João, by the grace of God, King of Portugal, of the Algarves, of either side of the sea in Africa, Lord of Guinea, & of the Conquest, Navigation, & Commerce of Ethiopia, Arabia, Persia, & India" (Dom João, por graça de Deus, Rei de Portugal, e dos Algarves, d'aquém e d'além mar em África, Senhor da Guiné, e da Conquista, Navegação, & Comércio da Etiópia, Arábia, Pérsia, & Índia). This style would only change in the 19th century when Brazil became a Vice-Kingdom.
Read more about this topic: John III Of Portugal
Famous quotes containing the word style:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone elses style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (19001993)
“A church that can never have done with excommunicating Christ while it exists! Away with your broad and flat churches, and your narrow and tall churches! Take a step forward, and invent a new style of out-houses. Invent a salt that will save you, and defend our nostrils.”
—Henry David Thoreau (18171862)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)