Career
After the war Box served his apprenticeship an assistant to the art director Carmen Dillon, herself an Oscar winner. During this period he worked on several British films, including Anthony Asquith's 1951 adaptation of The Browning Version. Box’s first films as an art director were low budget affairs, the first being the 1956 science fiction B-movie The Gamma People. His first big break came when Mark Robson asked him to work on the period film The Inn of the Sixth Happiness, which starred Ingrid Bergman. After this Box worked on both Richard Quine’s The World of Suzie Wong and Carol Reed's adaptation of Graham Greene’s novel Our Man in Havana, both of which were released in 1960.
It was his role as the production designer of Lawrence of Arabia that made him famous, as well as winning him his first Oscar. Box got the job working on this film after John Bryan fell ill. Box designed Of Human Bondage in 1964 and worked with David Lean again on the 1965 adaptation of Doctor Zhivago, for which he again won an Oscar for his set designs.
The following year Box won his first BAFTA award for his reproduction of Tudor England in Fred Zinnemann's version of A Man for All Seasons. In his next production he recreated Victorian era London for the musical Oliver!. He won an Oscar for Oliver!, a feat he repeated in his next film three years later, Nicholas and Alexandra, which provided Box with his final Academy Award for his detailed reproduction of pre-revolution Russia.
In 1972, Box worked on Travels with My Aunt, which earned him another Oscar nomination. He won a BAFTA in 1974 for his role on Jack Clayton’s version of The Great Gatsby, and won the award again the following year for Rollerball.
Box's next two projects were 1977's Sorcerer and The Keep from 1983, both of which were expensive and unsuccessful. He reunited with David Lean in 1984 for the film A Passage to India, for which Box received Oscar and BAFTA nominations. He retired after this film, but returned in the mid-90s to work on an adaptation of Black Beauty, as well as First Knight, his first foray into computer assisted set design and his final film. He was awarded the OBE in 1998.
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