Johannes Heggland - Biography

Biography

Johannes Andreas Martin Heggland was born in Tysnes, Hordaland, Norway. Heggland grew up as the youngest of 11 children in a family with a living oral tradition. His home region of Sunnhordland is a traditional district, consisting of the southern, coastal regions of the county of Hordaland, near the mouth of the Hardangerfjord.

He participated in local politics for nearly 30 years. Heggland was mayor in Tysnes from 1956 to 1959, and again from 1968 to 1971. He was chairman of Norwegian Authors' Union from 1982 to 1985 and member of the Nordic Council's literary prize committee from 1983 to 1986. He was also a member of the Norwegian Language Council and board member for Riksteatret.

Heggland made his literary debut in 1941 with Folk under fjell, and later wrote more than sixty books. Nearly half of his books are based on extensive historical studies, from the Bronze Age to the present time, with emphasis on the time around the Black Death.

Mostraspelet, a play in 3 acts with music by Kjell Habbestad, had its world premiere in 1984. Set on the island of Moster in Sunnhordland during the years 995, 997 and 1024, the play deals with the introduction of Christianity in Norway by King Olaf Tryggvason. Between 1995-1996, he wrote a series of plays based upon the reign of King Håkon I of Norway. The plays have been performed annual as part of the Håkonarspelet summer festival.

His prose is in the broad epic tradition with a Sunnhordland dialect and great insight into Norwegian rural society. Heggland insisted all along on the epic realism and traditionalism, he stood outside modernism, social realism and metaphysical literature.

Heggland received a number of literary awards for his writing, including the Nynorsk Literature Prize in 1988. He was proclaimed a Knight, First Class of the Royal Norwegian Order of St. Olav for his cultural work.

Read more about this topic:  Johannes Heggland

Famous quotes containing the word biography:

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)

    The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.
    Henry David Thoreau (1817–1862)