Johann Gerhard - Works

Works

  • A full listing of printings of Gerhard's works from 1601-2002 is in Johann Anselm Steiger, ed., Bibliographia Gerhardina 1601–2002: Verzeichnis der Druckschriften Johann Gerhards (1582–1637) sowie ihrer Neuausgaben, Übersetzungen und Bearbeitungen (Stuttgart-Bad Cannstatt: frommann-holzboog, 2003). ISBN 3-7728-1930-3
  • Loci Theologici (1610–1625; reprint, Berlin: Schlawitz, 1863–85), vol. 1 (1625 Exegesis), vol. 3 (1610 Loci), vol. 5, vol. 7, vol. 8, vol. 9
  • Confessio Catholica (Jena, 1634–37), volume 1, volume 2/1, volume 2/2, volume 2/3.
  • Meditationes Sacrae (original Latin text with audio recordings)
  • Johann Gerhards Handexemplar der Lutherbibel - Digital copy of Johann Gerhard's personal annotated Bible

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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    Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.
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    I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.
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