Biography
Born in Drammen, Norway he was an accomplished violinist from a very early age and became a prominent figure in Norwegian musical life. He received his musical education in Kristiania (now Oslo) and Stockholm, and was a concertmaster in Bergen before joining the Leipzig Gewandhaus Orchestra. He was a concertmaster in Aberdeen, Scotland, then a professor of music in Helsinki, and finally became a student once again, in St Petersburg, Leipzig (with Adolph Brodsky), Berlin (with Adolf Becker), and Liège (with César Thomson).
Returning to Norway in 1893, he worked as conductor of the theatre orchestra at Den Nationale Scene in Bergen and of the Bergen Philharmonic Orchestra. He became concertmaster of the Bergen Philharmonic in 1885, and principal conductor in 1893. In 1899 he was appointed conductor of the orchestra at the newly-opened National Theatre in Kristiania, a position he held for 30 years until his retirement in 1929.
As well as theatre music, Halvorsen conducted performances of over 30 operas and also wrote the incidental music for more than 30 plays. Following his retirement from the theatre he finally had time to concentrate on the composition of his three great symphonies and two well-known Norwegian rhapsodies.
Halvorsen's compositions were a development of the national romantic tradition exemplified by Edvard Grieg though written in a distinctive style marked by brilliant orchestration. Halvorsen married Grieg's niece, and orchestrated some of his piano works, such as a funeral march which was played at Grieg's funeral. Five days after Halvorsen died, Grieg's cousin and widow Nina Grieg also died.
His best known works today are the Bojarenes inntogsmarsj (Entry March of the Boyars) and Bergensiana, along with his Passacaglia and Sarabande, duos for violin and viola based on themes by George Frideric Handel.
Read more about this topic: Johan Halvorsen
Famous quotes containing the word biography:
“The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.”
—Henry David Thoreau (18171862)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (18171862)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (18851967)