Life and Career
Copeland was born Joan Maxine Miller to a middle-class Jewish family in New York City. Her father, Isidore, was a woman's clothes manufacturer and her mother, Augusta (née Barnett), was a schoolteacher and a housewife. She is the younger sister of the late playwright Arthur Miller, and was briefly sister-in-law to Marilyn Monroe. She is married to George J. Kupchik, an engineer, with whom she has one son, Eric.
Copeland began her career in the theatre, making her professional debut as Juliet in William Shakespeare's Romeo and Juliet at the Brooklyn Academy of Music in 1945. She made her Broadway debut as Nadine in the original 1948 production of Bessie Breuer's Sundown Beach. Since then she has maintained an active career in the theatre. Her other Broadway credits include Detective Story (1949), Not for Children (1951), Handful of Fire (1958), Tovarich (1963), Something More! (1964), The Price (1968), Coco (1969), Two By Two (1970), Checking Out (1976), 45 Seconds from Broadway (2002), Wit & Wisdom (2003) among others. Copeland was nominated for a Drama Desk Award for the 1977 production of Pal Joey and won a Drama Desk Award in 1981 for The American Clock.
Copeland has also worked extensively Off-Broadway in New York City. Notable credits include Desdemona in Othello at the Equity Library Theatre (1946), Betty Shapiro in The Grass is Always Greener at the Downtown National Theatre (1955), Melanie in Conversation Piece at the Barbizon-Plaza Theatre (1957), Mrs. Erlynne in Delightful Season at the Gramercy Arts Theatre (1960), Leonie Frothingham in End of Summer at the Manhattan Theatre Club (1974), Lillian Hellman in Are You Now or Have You Ever Been at the Promenade Theatre (1978), the title role in Candida at the Roundabout Theatre (1979), Tasha Blumberg in Isn't It Romantic at the Playwrights Horizons (1983), Mrs. Thompson in Hunting Cockroaches at the Manhattan Theatre Club (1987), Rose Brill in The Rose Quartet at the Circle Repertory Theatre (1991), Aida Gianelli in Over the River and Through the Woods at the John Houseman Theatre (1998), Nelly Fell in The Torchbearers at the Greenwich House Theatre (2000), and a part of a rotating cast in Wit & Wisdom at the Arclight Theatre (2003). She won an Obie Award in 1991 for her portrayal of Eva Adler in The American Plan at the Manhattan Theatre Club.
Copeland began working on television in the early 1950s as a guest actress on such shows as Suspense and The Web and the live telecast of O'Neill's play The Iceman Cometh in 1960. She has appeared on numerous soap operas. She portrayed Andrea Whiting (Joanne's daughter, Patti's malevolent former mother in-law) on Search for Tomorrow, twin sisters Maggie and Kay Logan on Love of Life, and roles on The Edge of Night, How to Survive a Marriage and As the World Turns. She also portrayed Gwendolyn Lord Abbott on One Life to Live from 1978–1979, and later returned to the series to play Selma Hanen in 1995. Between 1993-1997 she portrayed the recurring character of Judge Rebecca Stein on Law & Order. Her other television credits include guest appearances on Chicago Hope, ER, All in the Family, and Naked City to name just a few.
Copeland made her first film appearance as Alice Marie in The Goddess (1958). Her film career has been sporadic and her appearances have been almost exclusively in prominent secondary roles. Her film credits include Middle of the Night (1959), Roseland (1977), It's My Turn (1980), A Little Sex (1982), Happy New Year (1987), The Laser Man (1988), Her Alibi (1989), Jungle 2 Jungle (1997), The Peacemaker (1997), The Object of My Affection (1998), The Adventures of Sebastian Cole (1998), The Audrey Hepburn Story (2000), The Last Request (2006), and The Private Lives of Pippa Lee (2009). She also was the voice of Tanana in Walt Disney Pictures's Brother Bear (2003).
Read more about this topic: Joan Copeland
Famous quotes containing the words life and, life and/or career:
“I will use treatment to help the sick according to my ability and judgment, but never with a view to injury and wrongdoing. Neither will I administer a poison to anybody when asked to do so, nor will I suggest such a course. Similarly, I will not give to a woman a pessary to cause abortion. I will keep pure and holy both my life and my art.”
—Hippocrates (c. 460c. 370 B.C.)
“Just so hollow and ineffectual, for the most part, is our ordinary conversation. Surface meets surface. When our life ceases to be inward and private, conversation degenerates into mere gossip.”
—Henry David Thoreau (18171862)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (17621835)