Composition
James Lord Pierpont originally composed his song in 1850. A plaque commemorating the "birthplace" of "Jingle Bells" adorns the side of a building in Medford, Massachusetts. Pierpont wrote the song there, at the former Simpson Tavern, now 19 High Street in the center of Medford Square. According to the Medford Historical Society, the song was inspired by the town's popular sleigh races during the 1800s.
"Jingle Bells" was originally copyrighted with the name "One Horse Open Sleigh" on September 16, 1857. It was reprinted in 1859 with the revised title of "Jingle Bells, or the One Horse Open Sleigh". The song has since passed into public domain.
Music historian James Fuld notes that "the word jingle in the title and opening phrase is apparently an imperative verb." In the winter in New England in pre-automobile days, it was common to adorn horses' harnesses with straps bearing bells as a way to avoid collisions at blind intersections, since a horse-drawn sleigh in snow makes almost no noise. The rhythm of the tune mimics that of a trotting horse's bells. However, "jingle bells" is commonly taken to mean a certain kind of bell.
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Famous quotes containing the word composition:
“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (1853–1890)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)
“If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
—George Gordon Noel Byron (1788–1824)