Japanese Idol - History

History

The idol phenomenon began during the early seventies, reflecting a boom in Japan for the musician Sylvie Vartan in the French film Cherchez l'idole in 1963, with Japanese title (アイドルを探せ, Aidoru wo sagase?) in November 1964. The term came to be applied to any cute female actress or singer, or any cute male singer. Teenage girls, mostly between 14 and 16, and teenage males, mostly between 15 and 18, began rising to stardom. One in particular, Momoe Yamaguchi, was a huge star until her marriage and retirement in 1980. Idols dominated the pop music scene in the 80s; and this period is known as the "Golden Age of Idols in Japan". In a single year, as many as 40 or 50 new idols could appear, only to disappear from the public spotlight shortly afterwards. A few idols from that era, such as Seiko Matsuda, are still popular. In the 90s, the power of female Japanese idols began to wane, as the music industry shifted towards rock musicians and singers for whom music was a more important sales point than looks or wholesomeness, as well as towards genres such as rap that were harder to square with conventional prettiness. At the same time, the power of male Japanese idols, such as SMAP, Kinki Kids, Tokio, and V6, grew. The Japanese idol phenomenon has had a large impact on popular culture especially in Hong Kong, South Korea, Taiwan and other Asian and non-Asian Countries.

It is commonly said female Japanese idols represent the perfect female form in Japanese society. They are symbols of female sexuality and are often dressed erotically. For this reason they are often idolized by both males and females. Male audiences' infatuations with an idol's good looks are fed with detailed information about the idol's measurements, favorite colors, food, hobbies, blood type, etc. Female audiences are interested in imitating their style, hair color, fashion, etc. Good examples of fashion-leader idols were Ayumi Hamasaki, Hitomi, Ryōko Hirosue and Namie Amuro. However, in what most Europeans would see to be a contradictory stance, this interest in the detail is accompanied by a simultaneous apparent disinterest in the truth of this detail as it is presented. This is most starkly shown in terms of age. For example, it is widely acknowledged that many idols are older than the u19 or u15 categories that they are placed within. There is also an accompanying playfulness with age that one might not ordinarily associate with the stereotypical rigidity of Japanese culture. The popular idol magazine 'Beppin', for example, is happy to associate a widely different age to the same model on consecutive pages of the same edition. This seems not to bother Japanese fans who understand that the model's details are a role. It can also be associated with ideas that lie deeper within Japanese culture: Firstly, the idealization of youth which is reflected in such things as 'cutesie' adult fashions and the portrayal by women of themselves (in terms of dress and manner) as younger than they are. Secondly, it can be seen as part of a Japanese tradition of developing roles within roles; this can be seen in the behaviour of the masked Geisha and in Kabuki theater.

Namie Amuro was the most popular female idol in the late 1990s, although marketed as sexier and more mature than other idols. She began her career in 1992 as a vocalist for the pop group Super Monkeys, but the group flopped very quickly. Producers liked Amuro and in 1995 she went solo, enjoying massive success. In 1997 she went on a one-year hiatus because of her pregnancy, and was eclipsed by Ayumi Hamasaki.

A diversification occurred in the 1990s and instead of few idols vying for popularity, a number of idols with specific characteristics divided the market. In the mid-1990s, idols became much younger than before, and groups of idols like Speed and Morning Musume became prominent. A new genre of idols called Net Idols became known in the late 1990s, only appearing on websites. In 1997 there appeared Kyoko Date, the first "cyber idol" or "virtual idol". Kyoko Date has a fabricated history and statistics and her own songs. Meanwhile, gurabia aidoru (グラビアアイドル, i.e. " gravure idols") such as Yoko Matsugane, Rio Natsume and Eiko Koike have largely appeared skimpily clad in "cheesecake" photographs.

While formed in 1999, the 00's saw the rise in popularity of Arashi, a boy band produced by Johnny & Associates, Inc., the largest male idol talent agency. 2002 saw the addition of the Hello! Project Kids, who later formed Hello! Project idol groups Berryz Kobo and C-ute, sister groups to Morning Musume.

In 2007 NHK Kouhaku Utagassen, "Idol group from Akihabara" AKB48, "Otaku idol" Shoko Nakagawa, "Idol from the U.S." Leah Dizon performed a medley called "Special Medley: Latest Japan Proud Culture" together, introduced as "Akiba-kei idols", while Hello! Project groups, including Morning Musume, haven't participated in this program since 2008. In 2008, "Near Future Technopop Unit" Perfume, which got famous with their hit song of that year "Polyrhythm", sang on the stage for the first time.

In 2010, some new idol groups appear, such as Momoiro Clover, another Hello! Project group S/mileage, a sister group of AKB48 SKE48. From Avex, which held girls' groups like MAX, Folder5, Dream, a teenage idol group Tokyo Girls' Style made debut. A TV-based group Idoling!!! has its own program on Fuji TV, as the main stage of Onyanko Club was Fuji TV's Yuuyake Nyan Nyan before, and gets some popularity. The current situation in the Japanese idol scene is called "Idol sengoku jidai" (アイドル戦国時代; lit. Idol war age).

Whereas in previous years an idol kept up her idol image until she chose to retire or was simply too old to continue being a credible idol, in recent years several ex-idols have successfully matured from being an idol to becoming full-fledged actresses, singers or musicians who are respected for their craft instead of (or in addition to) being admired for their looks and image.

Since the 2007, a New category of Idol, the "Virtual Idol" is growing popular in Japan.Thanks to the advent of Vocaloid 2 and it's famous Character Hatsune Miku the "Virtual Idol" are enjoying a great popularity amongs the peoples, gaining a solid Fan-base.This new type of "idol" in addition to the usual Media, They often receive adaptations in other dedicated media spanning: Anime, Manga, Novel, Videogames, ...

Another Example of this new category is The Idolmaster Franchise.