Career
Birkin emerged in the Swinging London scene of the 1960s, appearing briefly in the 1966 film Blowup, and as the fantasy-like model in the psychedelic Wonderwall from 1968. That same year, she auditioned in France for the lead female role in Slogan. Though she did not speak French, she won the role. She co-starred with Serge Gainsbourg, and performed with him on the film's theme song, "La chanson de slogan" — the first of many collaborations between the two. In 1969, she and Gainsbourg released the duet "Je t'aime... moi non plus" ("I love you... me neither"). Gainsbourg originally wrote the song for Brigitte Bardot. The song caused a scandal for its sexual explicitness, and was banned by radio stations in Italy, Spain, and the UK.
"Je t'aime" made UK chart history in that on 4 October 1969 and the following week on 11 October, the song was at two different chart positions even though it is the same song, the same artists, and the same recorded version. The only difference was that they were on different record labels. It was originally released on the Fontana label, but due to its controversy, Fontana withdrew the record which was then released on the Major Minor label. Because there were Fontana singles still in the shops along with the Major Minor release, on 4 October 1969 the Major Minor release was at number 3 and the Fontana single at number 16. Also at that time it was the biggest ever selling single for a completely foreign language record. She appeared on Gainsbourg's 1971 album Histoire de Melody Nelson, portraying the Lolita-like protagonist in song and on the cover.
She took a break from acting in 1971–72, but returned as Brigitte Bardot's lover in Don Juan, or If Don Juan Were a Woman in 1973. In 1975, she appeared in Gainsbourg's first film, Je t'aime... moi non plus, which created a stir for frank examination of sexual ambiguity. For this performance she was nominated for a Best Actress César Award.
Birkin appeared in the Agatha Christie films Death on the Nile (1978) and Evil Under the Sun (1982), and recorded several albums, including Baby Alone in Babylone, Amours des Feintes, Lolita Go Home and Rendez-vous. She won Female Artist of the Year in the 1992 Victoires de la Musique. She starred in two films directed by Jacques Doillon – as Anne in La fille prodigue (1981) and as Alma in La pirate (1984, nominated for a César Award). This work led to an invitation from Patrice Chéreau to star on stage in La Fausse suivante by Marivaux at Nanterre. In 1980 she worked with director Herbert Vesely on Egon Schiele Exzess und Bestrafung, appearing as the mistress of Austrian artist Egon Schiele, played by Mathieu Carrière. Jacques Rivette collaborated with her in Love on the Ground (1983) and La Belle Noiseuse (1991, Nominated Césars best supporting actress). She appeared in Merchant Ivory's A Soldier's Daughter Never Cries (1998, also used her song "Di Doo Dah") and Merci Docteur Rey (2002), while Le Divorce's end title song featured her singing "L'Anamour", composed by Gainsbourg. In 2006, she played the title role in Elektra, directed by Philippe Calvario in France.
Birkin recorded the song "Beauty" on French producer Hector Zazou's 2003 album Strong Currents. The cover art of Have You Fed the Fish? by singer-songwriter Badly Drawn Boy features her image. The album features her daughter Charlotte Gainsbourg on backing vocals.
Read more about this topic: Jane Birkin
Famous quotes containing the word career:
“Work-family conflictsthe trade-offs of your money or your life, your job or your childwould not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“Ive been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)