1990s
Howard scored the surprise blockbuster romantic comedy Pretty Woman (1990) and received his first Academy Award nomination for his score for Barbra Streisand's drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard's skills encompassed a plethora of genres, including four more best original score Oscar nominations, for the Harrison Ford action feature The Fugitive (1993), the Julia Roberts romantic comedy My Best Friend's Wedding (1997), M. Night Shyamalan's The Village (2004) and most recently, Michael Clayton (2007). In addition, Howard scored the Western epic Wyatt Earp (1994), Kevin Costner's Waterworld (1995), and Primal Fear (1996). His collaborations on tunes for One Fine Day (1996) and Junior (1994) garnered Best Song nods. Along with scoring such smaller, character-driven films as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante's Peak (1997) (theme only - score was composed by John Frizzell), and Collateral (2004). He has also scored three Disney feature films which are Dinosaur (2000), Treasure Planet and Atlantis: The Lost Empire. Though he concentrated primarily on films, Howard has also contributed music for TV series, earning an Emmy nomination in 1995 for his theme to NBC's ratings smash ER (Howard also scored the two-hour pilot); he also provided the themes for The Sentinel and Gideon's Crossing, winning an Emmy for the latter.
He has scored all of Shyamalan's suspense thrillers, The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004), Lady in the Water (2006), The Happening (2008), and The Last Airbender (2010), notably dropping the intense, yet subtle, opening credit music for The Sixth Sense from the corresponding soundtrack album.
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