Instruments
As well as playing instruments, James Morrison has also had input into the process of creating them. In early 2010 he formed an association with Austrian brass manufacturer "Schagerl" and they have produced a number of "signature" models. These include two series - the custom, hand-made "Meister" series and the intermediate professional "Academica" series. There are trumpets and trombones in both series and the Meister series also includes a flugel horn and bass trumpet.
His new most prolific design is his new trumpet called "The Raven". The horn is unique for using rotary valves with a long lead pipe normally associated with a piston trumpet. As he describes in his blog: "The design comes from my wish to have a rotary valve instrument due to the different articulation you get compared to piston valves. I find the rotary sounds more precise and there is a smaller “dead spot” between when you push the valve and when the next note comes out clearly. This is particularly noticeable when playing quickly in the upper register (something I like to do)."
An earlier instrument creation project with designer and robotics expert Steve Marshall, produced the Morrison Digital Trumpet, a MIDI wind controller that looks and acts like a futuristic version of a regular trumpet. It allows a trumpeter to play electronic sounds in much the same way as a pianist can play an electronic synthesizer.
In addition, Morrison has broadened his love of musical technology to include vocal performing. On his collaboration album The Other Woman which features singer Deni Hines, he wrote a track called '(Tired Of Being) the other woman'. When Morrison performed this track at a performance in Sydney, he revealed his latest piece of music technology. It is a Roland keyboard (VP770) that has a microphone attached and 'sings' whatever Morrison speaks into the microphone - producing the sound of a choir.
Read more about this topic: James Morrison (musician)
Famous quotes containing the word instruments:
“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
—Sir Herbert Read (1893–1968)
“I rejoice that America has resisted. Three millions of people, so dead to all the feelings of liberty, as voluntarily to submit to be slaves, would have been fit instruments to make slaves of the rest.”
—William Pitt, The Elder, Lord Chatham (1708–1778)
“Water, earth, air, fire, and the other parts of this structure of mine are no more instruments of your life than instruments of your death. Why do you fear your last day? It contributes no more to your death than each of the others. The last step does not cause the fatigue, but reveals it. All days travel toward death, the last one reaches it.”
—Michel de Montaigne (1533–1592)