James Coco - Film and Television Roles

Film and Television Roles

Coco's additional film credits include Ensign Pulver, Tell Me That You Love Me, Junie Moon, Man of La Mancha, Such Good Friends, A New Leaf, The Wild Party, and The Muppets Take Manhattan. Two of his films were released posthumously: The Chair (1988) and That's Adequate (1989).

On television, Coco starred in two unsuccessful 1970s series, Calucci's Dept. and The Dumplings, and made guest appearances on many shows, including ABC Stage 67, The Edge of Night, Marcus Welby, M.D., Trapper John, M.D., Medical Center, Maude, Fantasy Island, Alice, Murder, She Wrote, The Muppet Show, The Love Boat, and St. Elsewhere, for which he won an Emmy Award. One of his last TV assignments was a recurring role as Nick Milano on the sitcom Who's The Boss?.

In his final years, Coco became known for his cooking prowess (The James Coco Diet) publishing several best-selling cookbooks with his best friend, Marion Paone, and making frequent guest appearances on talk shows garbed in a chef's hat and apron.

Read more about this topic:  James Coco

Famous quotes containing the words film, television and/or roles:

    “I’ll be right here.”
    —Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)

    “His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
    —Anna Quindlen (b. 1952)

    “There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
    —Ellen Lewis (20th century)