Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | (GC) 82.29% (Xbox) 81.02% (PS2) 80.83% (GBA) 71.00% (PC) 64.50% |
| Metacritic | (GC) 80/100 (Xbox) 78/100 (PS2) 77/100 (GBA) 66/100 (PC) 59/100 |
| Review scores | |
| Publication | Score |
| 1UP.com | A |
| Eurogamer | 3/10 |
| GameSpot | 7.9/10 |
| GameSpy | |
| IGN | 8.5/10 |
Nightfire received positive reviews. Many critics praised it for having a well thought out and consistent plot. Reviewers also commended the accurate James Bond model, bearing good resemblance to Pierce Brosnan. Aggregating review websites GameRankings and Metacritic gave the GameCube version 82.29% and 80/100 the Xbox version 81.02% and 78/100, the PlayStation 2 version 80.83% and 77/100, the Game Boy Advance version 71.00% and 66/100 and the PC version 64.50% and 59/100.
Reviews toward the game have also pointed to the realistic animation of the James Bond character. However, while the reviews have been generally positive, some critics believe that the main negative aspect of the game is its relatively short length. Critics also noted that Nightfire does attempt to steer away from previous Bond games (notably GoldenEye) and add a more interesting story line. Critics also derided the game's multiplayer bots, which having difficulty navigating through the multiplayer maps. Because of this issue, bots are not available in the map Ravine at all.
In 2008, PC Games Hardware included Alura McCall, Makiko Hayashi, Dominique Paradis and Zoe Nightshade among the 112 most important female characters in games.
Read more about this topic: James Bond 007: Nightfire
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)