Works
- (French) Despotisme des ministres de France, combattu par les droits de la Nation, par les loix fondamentales, par les ordonnances… PDF ("Despotism of the ministers of France, combatted by the rights of the Nation, by the fundamental laws, by the ordinances…"), Paris, 1789.
- Mémoires écrits au Port-au-Prince en 1818, contenant la relation de ses voyages et aventures dans le Mexique, depuis 1815 jusqu'en 1817. ("Memoirs written in Port-au-Prince in 1818, containing the relation of his voyages and adventures in Mexico, from 1815 to 1817"), Paris, 1821 .
- Billaud Varenne membre du comité de salut public : Mémoires inédits et Correspondance. Accompagnés de notices biographiques sur Billaud Varenne et Collot d'Herbois ("Billaud Varenne, member of the Committee of Public Safety: Unpublished memoirs and correspondence. Accompanied by biographical notes on Billaud Varenne and Collot d'Herbois"), Paris, Librairie de la Nouvelle Revue, 1893 (edited by Alfred Begis).
Read more about this topic: Jacques Nicolas Billaud-Varenne
Famous quotes containing the word works:
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)