Riding Style
Anquetil was a smooth rider, a beautiful pedalling machine according to one writer. The American journalist Owen Mulholland wrote:
The sight of Jacques Anquetil on a bicycle gives credence to an idea we Americans find unpalatable, that of a natural aristocracy. From the first day he seriously straddled a top tube, "Anq" had a sense or perfection most riders spend a lifetime searching for. Between 1950, when he rode his first race, and nineteen years later, when he retired, Anquetil had countless frames underneath him, yet that indefinable poise was always there.
The look was that of a greyhound. His arms and legs were extended more than was customary in his era of pounded post World War II roads. And the toes pointed down. Just a few years before, riders had prided their ankling motion, but Jacques was the first of the big gear school. His smooth power dictated his entire approach to the sport. Hands resting serenely on his thin Mafac brake levers, the sensation from Quincampoix, Normandy, appeared to cruise while others wriggled in desperate attempts to keep up.
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Famous quotes containing the words riding and/or style:
“Holland is a dream, Monsieur, a dream of gold and smoke—smokier by day, more gilded by night. And night and day that dream is peopled with Lohengrins like these, dreamily riding their black bicycles with high handle-bars, funereal swans constantly drifting throughout the whole country, around the seas, along the canals.”
—Albert Camus (1913–1960)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)