Life and Career
Born in Lancashire, England, Burroughs acted in live theatre at Ontario's Stratford Festival. Her film credits included The Dead Zone (1982), The Grey Fox (1982), and a voice-over stint in the legendary animated anthology Heavy Metal (1981), while her TV-series résumé includes the roles of Mrs. Amelia Evans in Anne of Green Gables (1985) and Hetty King in Road to Avonlea (1990). In 1987, Jackie Burroughs produced, directed, co-wrote, and starred in A Winter Tan, a film based on the letters of Maryse Holder, published in 1979 as the book Give Sorrow Words – Maryse Holder's Letters from Mexico. She won a Genie award for best performance by an actress in a leading role for the film. She won several Genies and Geminis during her career. Her first award was the 1969 Canadian Film Award for best actress, for starring in the non-feature short film Duclima.
Burroughs played the voice of The Spirit in 1985's The Care Bears Movie. She also played teacher Nancy Galik in The Undergrads (1985) opposite Art Carney.
She was perhaps best known to American audiences for her portrayal of the fictional character, Hetty King, in the CBC Television series Road to Avonlea from 1990 to 1996. The series was based on the works of Canadian author Lucy Maud Montgomery and produced by Sullivan Entertainment. She also played Mother Mucca in the television adaptations of Armistead Maupin's More Tales of the City and Further Tales of the City. Burroughs again played a mother role in 2003's Willard.
She appeared in the 2006 film The Sentinel. She also appeared in the Smallville season one episode "Hourglass" as the elderly prophetess Cassandra Carver.
Read more about this topic: Jackie Burroughs
Famous quotes containing the words life and/or career:
“Age. That period of life in which we compound for the vices that remain by reviling those we have no longer the vigor to commit.”
—Ambrose Bierce (1842–1914)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)