Later Work
By the 1970s Pocock had changed his focus from how lawyers understood the evolution of law to how philosophers and theologians did. The Machiavellian Moment (1975), his widely acclaimed magnum opus, showed how Florentines, Englishmen, and Americans had responded to and analysed the destruction of their states and political orders in a succession of crises sweeping through the early modern world. Again, not all historians accept Pocock's account, but leading scholars of early modern republicanism show its influence - especially in their characterization of political theorist James Harrington (1611–1677) as a salient historical actor.
Subsequent research by Pocock explores the literary world inhabited by the British historian Edward Gibbon (1737–1794), and how Gibbon understood the cataclysm of decline and fall within the Roman Empire as an inevitable conflict between ancient virtue and modern commerce. Gibbon, it turns out, evinces all the hallmarks of a bona fide civic humanist, even while composing his great "enlightened narrative". The first two volumes of Pocock's projected six-volume series on Gibbon, Barbarism and Religion, won the American Philosophical Society's Jacques Barzun Prize in Cultural History for the year 1999.
Read more about this topic: J. G. A. Pocock
Famous quotes containing the word work:
“The beaux and the babies, the servant troubles, and the social aspirations of the other girls seemed to me superficial. My work did not. I was professional. I could earn my own money, or I could be fired if I were inefficient. It was something to get your teeth into. It was living.”
—Edna Woolman Chase (18771957)
“There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in itand no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.”
—Harold C. Goddard (18781950)