Gallery
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Page of a 12th century Qur'an written in the Andalusi script
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Page of an Ilkhanid Qur'an (13th Century)
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Bismillah calligraphy in Sini script
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Bismillah calligraphy
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Bismillah calligraphy
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An example of zoomorphic calligraphy
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Qur'an folio 11th century kufic
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Islamic calligraphy in Hagia Sophia
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Qur'anic Manuscript - Mid to Late 15th Century, Turkey
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Maghribi script
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Calligraphic writing on a fritware tile, depicting the names of God, Muhammad and the first caliphs. Istanbul, Turkey, c. 1727
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Naskh Basmala
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Manuscript between 1500 and 1599
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Calligraphy in Nasta'liq Script
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Ottoman manuscript in Ta'liq Script.
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The stylized signature (tughra) of Sultan Mahmud II of the Ottoman Empire was written in an expressive calligraphy. It reads Mahmud Khan son of Abdulhamid is forever victorious.
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Animation showing the calligraphic composition of the Al Jazeera logo.
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The Emirates logo is written in traditional Arabic calligraphy
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Example showing Nastaʿlīq's (Persian) proportion rules.
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The instruments and work of a student calligrapher.
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Islamic calligraphy performed by a Malay Muslim in Malaysia. Calligrapher is making a rough draft.
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Jawi script written with Islamic calligraphy on the signboard of a royal mausoleum in Kelantan (a state in Malaysia). The signboard reads "Makam Diraja Langgar".
Read more about this topic: Islamic Calligraphy
Famous quotes containing the word gallery:
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)