Public Monuments and Fountains
- McKinley Memorial, Yonkers, New York 1906
- Mother & Child: the Bath, fountain in Katonah, New York, c. 1910
- recumbent figure of Morgan Dix, Trinity Church, New York, 1915
- The Meeting of Air and Water, Gumbel Memorial Fountain, Audubon Park, New Orleans, Louisiana, 1919.
- Hyams Memorial Fountain, Carousel Gardens Amusement Park, New Orleans, Louisiana, 1921.
- recumbent figure of Bishop Potter, Cathedral of Saint John the Divine, New York City, 1921.
- Yonkers World War I Memorial, Yonkers, NY, 1922.
- Edgar John Lownes Memorial, Swan Point Cemetery, Rhode Island, 1924
- Hudson - Fulton Monument, Yonkers, New York, 1924
- Spanish - American War Memorial, Yonkers, New York, 1928
- Lincoln Monument, Lincoln Park, Yonkers, New York, 1929
- Father Kelehan Memorial, St. Joseph's Cemetery, Yonkers, New York, 1929
- Governor Francis T. Nicholls, State Capitol Building, Baton Rouge, Louisiana 1931
Besides these works Isidore Konti produced numerous medals, plaques, figures and figurines that are today highly sought after by museums and collectors.
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William McKinley (1908), City Hall, Philadelphia, Pennsylvania.
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South American Condor (1910), Pan-American Building, Washington, D.C.
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Meeting of Bolivar and San Martin (1910), Pan-American Building, Washington, D.C
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Mother and Child: the Bath (c. 1910), Katonah, New York.
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Nymph and Fawn (1917), Indianapolis Museum of Art.
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Gumbel Memorial Fountain (1919), Audubon Park, New Orleans.
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World War I Memorial (1922), City Hall, Yonkers, New York.
Read more about this topic: Isidore Konti
Famous quotes containing the words public, monuments and/or fountains:
“Linguistically, and hence conceptually, the things in sharpest focus are the things that are public enough to be talked of publicly, common and conspicuous enough to be talked of often, and near enough to sense to be quickly identified and learned by name; it is to these that words apply first and foremost.”
—Willard Van Orman Quine (b. 1908)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (18791940)
“No more be grieved at that which thou hast done,
Roses have thorns, and silver fountains mud,
Clouds and eclipses stain both moon and sun,
And loathsome canker lives in sweetest bud.
All men make faults, and even I in this,
Authorizing thy trespass with compare,
My self corrupting salving thy amiss,
Excusing thy sins more than thy sins are:”
—William Shakespeare (15641616)