Ishmael (Moby-Dick) - Description

Description

Ishmael introduces himself in the opening sentence of the novel with the well-known line "Call me Ishmael." The name Ishmael is Biblical in origin: in Genesis, Ishmael was the son of Abraham by the servant Hagar, who was cast off after the birth of Isaac, who inherits the covenant of the Lord instead of his older half-brother. In the Islamic tradition, with which Melville was certainly much less familiar, Ishmael is a heir of Abraham. In fact, according to stronger traditions in Islam mentioned in Qisas Al-Anbiya, she was daughter of king of Maghreb, whose father was killed by Pharaoh and she was taken as slave. In Moby-Dick Ishmael does not comment on the significance of his own name, but he does refer to himself by that name several times in the book.

Ishmael provides little about his personal background before his decision at the beginning of the novel to journey to Nantucket, Massachusetts to enlist as a sailor on a whaler. There is evidence in the text to suggest that he was formerly a school-teacher who left that life of theory to pursue the more practical life at sea. At the beginning of the novel, he is an experienced seaman who has not previously served on a whaler but in the merchant marine service (an experience that is ridiculed by the owners of the Pequod when he approaches them to sign on). He begins the novel in the first chapter wandering through Manhattan in the dreariness of November with dark thoughts suggesting nearly suicidal tendencies: pausing before coffin houses and following funerals. His primary reason for going to sea, he suggests, is to break out of this depressive cycle and obsession with death. Ishmael tends to brood and think his way through things, going so far as to describe himself as a philosopher in The Mast-Head. Ishmael, while seemingly rejecting the arts, does confess that he is—or at least was at one point—a poet.

Read more about this topic:  Ishmael (Moby-Dick)

Famous quotes containing the word description:

    As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.
    Henry David Thoreau (1817–1862)

    The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.
    Guy Debord (b. 1931)

    The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul’s, like the editions of Balbec and Palmyra.
    Horace Walpole (1717–1797)