Culture
The area is noted for arts and crafts and other cultural traditions:
- The art of nō was introduced to the area during the rule of the fifth Maeda lord Tsunanori and was refined into the style of Kaga hosho.
- The tea ceremony was introduced in 1666 when Maeda Toshitsune invited Senbiki Soshitsu of urasenke to Kanazawa.
- Kutani ware (Kutani yaki) is a bright colored glaze like Chinese porcelain.
- Ohi teaware (Ōhi yaki) is a pottery with a style unique to Kanazawa.
- Kaga silk (Kaga yūzen) is made with complicated silk print technique with an intentional rough look (wabi-sabi).
- Kanazawa lacquerware (Kanazawa shikki) is high quality lacquerware traditionally decorated with gold dust.
- Kanazawa gold leaf (Kanazawa haku) is produced with a technique of beating gold into wafer-thin sheets.
- Kaga mizuhiki is ribbon-like decoration made from glued Japanese paper (washi).
- Kaga inlay crafts (Kaga zōgan) are made with a combination of thin flat and thread metal inlays.
- Gojinjo Daiko is a Japanese Drum, a Wajima City’s cultural heritage(Since 1961) as well as an Ishikawa Prefecture’s intangible cultural heritage(Since 1963)
- Abare Festival is reputed the most 'fierce' festivals of Noto, Ishikawa.
Read more about this topic: Ishikawa Prefecture
Famous quotes containing the word culture:
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)