Culture
The area is noted for arts and crafts and other cultural traditions:
- The art of nō was introduced to the area during the rule of the fifth Maeda lord Tsunanori and was refined into the style of Kaga hosho.
- The tea ceremony was introduced in 1666 when Maeda Toshitsune invited Senbiki Soshitsu of urasenke to Kanazawa.
- Kutani ware (Kutani yaki) is a bright colored glaze like Chinese porcelain.
- Ohi teaware (Ōhi yaki) is a pottery with a style unique to Kanazawa.
- Kaga silk (Kaga yūzen) is made with complicated silk print technique with an intentional rough look (wabi-sabi).
- Kanazawa lacquerware (Kanazawa shikki) is high quality lacquerware traditionally decorated with gold dust.
- Kanazawa gold leaf (Kanazawa haku) is produced with a technique of beating gold into wafer-thin sheets.
- Kaga mizuhiki is ribbon-like decoration made from glued Japanese paper (washi).
- Kaga inlay crafts (Kaga zōgan) are made with a combination of thin flat and thread metal inlays.
- Gojinjo Daiko is a Japanese Drum, a Wajima City’s cultural heritage(Since 1961) as well as an Ishikawa Prefecture’s intangible cultural heritage(Since 1963)
- Abare Festival is reputed the most 'fierce' festivals of Noto, Ishikawa.
Read more about this topic: Ishikawa Prefecture
Famous quotes containing the word culture:
“Letting a hundred flowers blossom and a hundred schools of thought contend is the policy for promoting the progress of the arts and the sciences and a flourishing culture in our land.”
—Mao Zedong (1893–1976)
“There has never been in history another such culture as the Western civilization M a culture which has practiced the belief that the physical and social environment of man is subject to rational manipulation and that history is subject to the will and action of man; whereas central to the traditional cultures of the rivals of Western civilization, those of Africa and Asia, is a belief that it is environment that dominates man.”
—Ishmael Reed (b. 1938)
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)