Biography
Isaac Rosenberg was born to Barnet and Annie Rosenberg, who had fled Devinsk in Latvia to escape anti-Jewish pogroms. In 1897, the family moved to 47 Cable Street in a poor district of the East End of London, and one with a strong Jewish community. He attended St. Paul's School Whitechapel around the corner in Wellclose Square, until his family (of Russian descent) moved to Stepney in 1900, so he could experience Jewish schooling. He left school at the age of fourteen and became an apprentice engraver.
He was interested in both poetry and visual art, and managed to find the finances to attend the Slade School. During his time at Slade School, Rosenberg notably studied alongside David Bomberg, Mark Gertler, Stanley Spencer, Paul Nash, Edward Wadsworth and Dora Carrington. He was taken up by Laurence Binyon and Edward Marsh, and began to write poetry seriously, but he suffered from ill-health.
Afraid that his chronic bronchitis would worsen, Rosenberg hoped to try and cure himself by emigrating to the warmer climate of South Africa, where his sister Mina lived.
He wrote the poem "On Receiving News of the War" in Cape Town, South Africa. While others wrote about war as patriotic sacrifice, Rosenberg was critical of the war from its onset. However, needing employment in order to help support his mother, Rosenberg returned to England in October 1915 and enlisted in the army. He was assigned to the 12th Suffolk Folk Regiment, a 'bantam' battalion (men under 5'3"). After turning down an offer to become a lance corporal, Private Rosenberg was later transferred to the 11th Battalion, The King's Own Royal Lancaster Regiment (KORL). He was sent to the Somme on the Western Front in France where, having just finished night patrol, he was killed at dawn on April 1, 1918; there is a dispute as to whether his death occurred at the hands of a sniper or in close combat. In either case, Fampoux is the name of the town where he died. He was first buried in a mass grave, but in 1926, his remains were identified and reinterred, not in England, but at Bailleul Road East Cemetery, Plot V, St. Laurent-Blangy, Pas de Calais, France.
In The Great War and Modern Memory, Paul Fussell's landmark study of the literature of the First World War, Fussell identifies Rosenberg's "Break of Day in the Trenches" as "the greatest poem of the war."
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“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
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—James Boswell (1740–95)