Cartoons, Illustrations and Paintings
Irwin and Madeline Caplan were married in 1948 when he returned to Seattle, where he teamed with illustrator Ted Rand and five other artists to form Graphic Studios, creating corporate logos and a variety of advertising artwork. In addition to such accounts as the Pacific Northwest Bell Telephone, Bardahl and the Mutual Life Insurance Company, Caplan also illustrated the 1962 Seattle World’s Fair poster (sponsored by the Frederick & Nelson department store), plus work for the Seattle World’s Fair Alaska Pavilion. He was the art director for Spokane’s Expo ’74.
In the late 1940s through the early 1960s, Caplan's distinctive, crisp cartoon style appeared in Collier's, Esquire, Liberty, Life, Parade and other leading publications. For the Sunday supplement magazine This Week, he contributed a regular weekly thematic grouping of cartoons, sometimes in the form of a vertical comic strip. In addition to Famous Last Words, his other syndicated feature was 48 States of Mind.
Caplan's paintings were exhibited at New York's Metropolitan Museum of Art and the National Gallery in Washington, D.C., and his work was in the permanent collections of the Seattle Art Museum and the Henry Gallery. He taught art at the University of Washington School of Art and at Seattle Central Community College.
Caplan lived in Seattle with his wife and three children. He maintained a summer residence on Vashon Island in Washington's Puget Sound. In January 1966, following heavy rains in the Pacific Northwest, a mudslide pushed his Vashon home 25 yards from its foundation, dumping much of the house into Puget Sound. An image of Caplan's remaining wreckage was distributed to newspapers as an AP Wirephoto under the headlines, "Mudslide Carries Half a House into Puget Sound" and "It's Now a Split Level".
Read more about this topic: Irwin Caplan
Famous quotes containing the word paintings:
“the great orange bed where we lie
like two frozen paintings in a field of poppies.”
—Anne Sexton (19281974)