Career
Cara appeared in on-and off-Broadway theatrical shows including the musicals Ain't Misbehavin', The Me Nobody Knows (which won an Obie award), Maggie Flynn opposite Shirley Jones and Jack Cassidy, and Via Galactica with Raul Julia.
She was the original Daisy Allen on the 1970s daytime serial Love of Life. Next came her role as Angela in romance/thriller Aaron Loves Angela, followed by her portrayal of the title character in Sparkle, Television brought Cara international acclaim for serious dramatic roles in two outstanding mini-series, Roots: The Next Generations and Guyana Tragedy: The Story of Jim Jones.
John Willis' Screen World, Vol. 28, named her one of twelve "Promising New Actors of 1976;" that same year, a readers' poll in Right On! magazine named her Top Actress.
Cara graduated from the Professional Children's School in Manhattan, a rival of the LaGuardia High School of Music & Art. Coincidentally, LaGuardia High was the inspiration for the performing arts school in her third movie, Fame, along with The Juilliard School. When she attended high school, it was called the School of Performing Arts. In 1984 the High School of Music & Art was merged with the School of Performing Arts (founded in 1948 by Mayor Fiorello H. LaGuardia) to become LaGuardia High.
Read more about this topic: Irene Cara
Famous quotes containing the word career:
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (1880–1964)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)