Iraqi National Symphony Orchestra - History

History

The orchestra began as the Baghdad Symphony Orchestra in 1944 by Albert Chaffoo. It performed for approximately two years and was disbanded after Albert Chaffoo left Iraq and returned to London to continue his musical career. Many members of the former Baghdad Symphony later formed the future Iraqi National Symphony The orchestra became officially known as the Iraqi National Symphony in 1959 when it began to receive a salary from the government. The INSO was abolished by the Iraqi Minister of Culture in 1962 and rehearsed underground until 1970, when it was re-established. Over the next ten years, the orchestra toured Russia, Algeria, Lebanon and Jordan, and hosted guest musicians and conductors from many countries. But during the 1980s and 1990s many musicians, plagued by financial hardship, left the country to pursue opportunities elsewhere. Although its home theater was burned by looters during the April 2003 invasion of Baghdad, the orchestra performed a concert in Baghdad in June 2003 and subsequently traveled through northern Iraq, recruiting new members. Representative of the diversity of Iraq, its 90+ musicians now include Shi'a, Sunni, Kurds, Armenians, Assyrian Christians, and Turkomen, as well as six women, one of whom is the first American woman to join in the history of the orchestra.

In December 2003, the orchestra performed a joint concert with the U.S. National Symphony Orchestra and Yo-Yo Ma at the Kennedy Center in Washington, co-sponsored by the U.S. State Department. President and Mrs. George W. Bush attended the concert, and Colin Powell introduced the orchestra.

The INSO is currently managed and conducted by Karim Wasfi.

Read more about this topic:  Iraqi National Symphony Orchestra

Famous quotes containing the word history:

    It takes a great deal of history to produce a little literature.
    Henry James (1843–1916)

    The principle office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.
    Tacitus (c. 55–117)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)