Insular Script - Appearance

Appearance

Works written in Insular scripts commonly use large initial letters surrounded by red ink dots (although this is also true of other scripts written in Ireland and England). Letters following a large initial at the start of a paragraph or section often gradually diminish in size as they are written across a line or a page, until the normal size is reached, which is called a "diminuendo" effect, and is a distinctive insular innovation, which later influenced Continental illumination style. Letters with ascenders (b, d, h, l, etc.) are written with triangular or wedge-shaped tops. The bows of letters such as b, d, p, and q are very wide. The script uses many ligatures and has many unique scribal abbreviations, along with many borrowings from Tironian notes.

Insular script was spread to England by the Hiberno-Scottish mission; previously, uncial script had been brought to England by Augustine of Canterbury. The influences of both scripts produced the Insular script system. Within this system, the scholar Julian Brown identified five grades:

  • Insular half-uncial, or "Irish majuscle", a majuscule script influenced by
  • Insular Hybrid minuscule
  • Insular Set
  • Insular Cursive
  • Insular Current.

Brown has also postulated two Phase of development for this script, Phase II being mainly influenced by Roman Uncial examples, developed at Wearmouth-Jarrow and typified by the Lindisfarne Gospels.

Read more about this topic:  Insular Script

Famous quotes containing the word appearance:

    By nature servile, people attempt at first glance to find signs of good breeding in the appearance of those who occupy more exalted stations.
    Anton Pavlovich Chekhov (1860–1904)

    The whole appearance is a toy. For this,
    The dove in the belly builds his nest and coos,
    Selah, tempestuous bird. How is it that
    The rivers shine and hold their mirrors up,
    Like excellence collecting excellence?
    Wallace Stevens (1879–1955)

    Look into the world—how often do you behold a sordid wretch, whose straight heart is open to no man’s affliction, taking shelter behind an appearance of piety, and putting on the garb of religion, which none but the merciful and compassionate have a title to wear.
    Laurence Sterne (1713–1768)