Inger Christensen - Works

Works

Years link to corresponding " in poetry" article for books of poems, or " in literature" for other literary works:

  • 1962: Lys: digte ("Light"), poems
  • 1963: Græs: digte ("Grass"), poems
  • 1964: Evighedsmaskinen, ("Eternity Machine"), novel
  • 1967: Azorno, novel (translated into English by Denise Newman; New Directions, 2009)
  • 1969: det, ("it"), poems 1969 (translated into English by Susanna Nied)
  • 1972: Intriganterne ("The Scheming"), play
  • 1976: Det malede værelse ("The Painted Room: A Tale of Mantua"), novel (translated into English by Denise Newman; Harvill Press, 2000)
  • 1979: Brev i april ("Letter in April"), poems
  • 1979: Den historie der skal fortælles
  • 1981: Alfabet, 1981 - "Alphabet", poems (translated into English by Susanna Nied), twice translated into Swedish
  • 1982: Del af labyrinten ("Part of the Maze"), essays
  • 1982: Den store ukendte rejse ("The Big Unknown Journey"), children's book
  • 1987: En vinteraften i Ufa og andre spil ("A Winter Evening in Ufa"), plays
  • 1989: Digt om døden ("Poem on Death")
  • 1989: Lys og Græs ("Light and Grass"), poetry
  • 1990: Mikkel og hele menageriet (illustrated by Lillian Brøgger) children's book
  • 1991: Sommerfugledalen, ("Butterfly Valley: A Requiem"), poems (translated into English by Susanna Nied)
  • 1998: Samlede digte ("Collected Poems")
  • 2000: Hemmelighedstilstanden ("The State of Secrecy"), essays

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Famous quotes containing the word works:

    All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.
    Henry David Thoreau (1817–1862)

    I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.
    Anton Pavlovich Chekhov (1860–1904)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)