Career
Galante was born in Riga to a musical family. She entered the Latvian Academy of Music in Riga in 1977. While still a student at the Academy she became a soloist of the Latvian National Opera. Parallel to her work in Riga she was engaged in opera productions at other theatres, particularly at the Kirov Opera (Mariinsky theatre) in Saint Petersburg, Russia where she had a fruitful collaboration with conductor Valery Gergiev.
From 1991 until 1999 Galante was soloist at National Theatre Mannheim and Deutsche Oper am Rhein in Düsseldorf. Since then she has been touring and performing all over the world. Galante's voice has been heard at the Théâtre des Champs-Élysées and the Festival de Radio France et Montpellier (France), at the St Denis Festival, the Newport Music Festival and the Gibson Hall (USA), at the Barbican Centre, the Royal Albert Hall, the Wigmore Hall and Kensington Palace (London), at the Royal Swedish Opera, and at the Kremlin and the Bolshoi Theatre (Moscow), where she made her debut as Adriana in Cilea's opera Adriana Lecouvreur in the La Scala production. In 2001 Galante appeared in concert in Rotterdam together with José Carreras.
Galante has worked with such conductors as Yehudi Menuhin, Valery Gergiev, Zubin Mehta, Evelino Pidò, Myung-whun Chung, Miguel Ángel Gómez Martínez, Neeme Järvi, Carl Davis, John Mauceri, Stefan Soltesz, Eric Klaas, Antonio Pappano, Steven Mercurio, Alexander Vedernikov, Dmitri Kitayenko, Vassily Sinaisky, Alexander Rahbari, Lawrence Renes and Vladimir Fedoseyev.
Read more about this topic: Inessa Galante
Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)