Industrial Workers of The World - Folk Music and Protest Songs

Folk Music and Protest Songs

One Wobbly characteristic since their inception has been a penchant for song. To counteract management sending in the Salvation Army band to cover up the Wobbly speakers, Joe Hill wrote parodies of Christian hymns so that union members could sing along with the Salvation Army band, but with their own purposes. For example, "In the Sweet By and By" became "There'll Be Pie in the Sky When You Die (That's a Lie)". From that start in exigency, Wobbly song writing became common because they "articulated the frustrations, hostilities, and humor of the homeless and the dispossessed." The IWW collected its official songs in the Little Red Songbook and continues to update this book to the present time. In the 1960s, the American folk music revival in the United States brought a renewed interest in the songs of Joe Hill and other Wobblies, and seminal folk revival figures such as Pete Seeger and Woody Guthrie had a pro-Wobbly tone, while some were members of the IWW. Among the protest songs in the book are "Hallelujah, I'm a Bum" (this song was never popular among members), "Union Maid", and "I Dreamed I Saw Joe Hill Last Night". Perhaps the best known IWW song is "Solidarity Forever". The songs have been performed by dozens of artists, and Utah Phillips performed the songs in concert and on recordings for decades. Other prominent IWW song-writers include Ralph Chaplin who authored "Solidarity Forever", and Leslie Fish.

The Finnish IWW community produced several folk singers, poets and song-writers, the most famous being Matti Valentine Huhta (better known as T-Bone Slim), who penned "The Popular Wobbly" and "The Mysteries of a Hobo's Life". Slim's poem, "The Lumberjack's Prayer" was recorded by Studs Terkel on labor singer Bucky Halker's CD, "Don't Want Your Millions" (Revolting Records, 2000). Hiski Salomaa, whose songs were composed entirely in Finnish (and Finglish), remains a widely recognized early folk musician in his native Finland as well as in sections of the Midwest United States, Northern Ontario, and other areas of North America with high concentrations of Finns. Salomaa, who was a tailor by trade, has been referred to as the Finnish Woody Guthrie. Arthur Kylander, who worked as a lumberjack, is a lesser known, but important Finnish I.W.W. folk musician. Kylander's lyrics range from the difficulties of the immigrant labourer's experience to more humorous themes. Arguably, the wanderer, a recurring theme in Finnish folklore dating back to pre-Christian oral tradition (as with Lemminkäinen in the Kalevala), translated quite easily to the music of Huhta, Salomaa, and Kylander; each of whom have songs about the trials and tribulations of the hobo.