Industrial dance is a North American alternative term for electronic body music and electro-industrial music. Fans, who are associated with this music scene, call themselves Rivetheads.
In general, "industrial dance" was characterized by its "electronic beats, symphonic keyboard lines, pile-driver rhythms, angst-ridden or sampled vocals, and cyberpunk imagery".
Since the mid-1980s, the term "Industrial dance" has been used to describe the music of Cabaret Voltaire (early 80s), early Die Krupps, Portion Control, The Neon Judgement, Clock DVA, Nitzer Ebb, Skinny Puppy, Front Line Assembly, Front 242, Ministry (mid-80s era), KMFDM, Yeht Mae, Meat Beat Manifesto, Manufacture, Nine Inch Nails, My Life with the Thrill Kill Kult, Leæther Strip or early Spahn Ranch.
In March 1989, SPIN magazine presented a two-paged article about the industrial dance movement in Canada and the US.
Read more about Industrial Dance: Print Media
Famous quotes containing the words industrial and/or dance:
“A few ideas seem to be agreed upon. Help none but those who help themselves. Educate only at schools which provide in some form for industrial education. These two points should be insisted upon. Let the normal instruction be that men must earn their own living, and that by the labor of their hands as far as may be. This is the gospel of salvation for the colored man. Let the labor not be servile, but in manly occupations like that of the carpenter, the farmer, and the blacksmith.”
—Rutherford Birchard Hayes (1822–1893)
“The author’s conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (1885–1972)