Industrial dance is a North American alternative term for electronic body music and electro-industrial music. Fans, who are associated with this music scene, call themselves Rivetheads.
In general, "industrial dance" was characterized by its "electronic beats, symphonic keyboard lines, pile-driver rhythms, angst-ridden or sampled vocals, and cyberpunk imagery".
Since the mid-1980s, the term "Industrial dance" has been used to describe the music of Cabaret Voltaire (early 80s), early Die Krupps, Portion Control, The Neon Judgement, Clock DVA, Nitzer Ebb, Skinny Puppy, Front Line Assembly, Front 242, Ministry (mid-80s era), KMFDM, Yeht Mae, Meat Beat Manifesto, Manufacture, Nine Inch Nails, My Life with the Thrill Kill Kult, LeƦther Strip or early Spahn Ranch.
In March 1989, SPIN magazine presented a two-paged article about the industrial dance movement in Canada and the US.
Read more about Industrial Dance: Print Media
Famous quotes containing the words industrial and/or dance:
“The two most far-reaching critical theories at the beginning of the latest phase of industrial society were those of Marx and Freud. Marx showed the moving powers and the conflicts in the social-historical process. Freud aimed at the critical uncovering of the inner conflicts. Both worked for the liberation of man, even though Marxs concept was more comprehensive and less time-bound than Freuds.”
—Erich Fromm (19001980)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyangumumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)