Music and Lyric Form
The music is in a minor key, with sustained minor chords ending each phrase in the primary melody, while the electronic organ holds the melody line through a slow musical turn (turning of related notes) which ends each phrase, and emphasizes the ominous minor chords. Underneath the slow, paced melody, is a rhythmic, low "drum beat" in double-time, constantly, relentlessly pushing to follow along, but the melody continues its slow, deliberate pace above the drum beat.
Below are partial lyrics from the Raiders' version:
-
- They took the whole Indian nation,
- Locked us on this reservation
- . . .
- Took away our native tongue,
- And taught their English to our young
- . . .
-
- Cherokee people! Cherokee tribe! -
- So proud to live, so proud to die
-
- . . .
- Though I wear a shirt and tie,
- I'm still part redman deep inside...
The lyrics vary somewhat among the recorded versions. Rainwater's version omits the "Cherokee people!" chorus but includes instead a series of "Hiya hiya ho!" chants. Fardon's version is similar to the Raiders' through the first verse and chorus, but differs in the second verse, which includes the lines "Altho' they changed our ways of old/They'll never change our heart and soul", also found in Rainwater's version. Rainwater includes some of the elements found in the other versions in a different order, and his first verse has words not found in the others, such as "They put our papoose in a crib/and took the buck skin from our rib".
At the end, where the Raiders sing "...Cherokee nation will return", Fardon says "Cherokee Indian...", while Rainwater omits the line and ends with "beads...nowadays made in Japan." In addition, Fardon sings the line: "no more tepees anymore", not used in the Raiders' version.
Read more about this topic: Indian Reservation (The Lament Of The Cherokee Reservation Indian)
Famous quotes containing the words music, lyric and/or form:
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompanimentlike music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)
“O lyric Love, half angel and half bird
And all a wonder and a wild desire.”
—Robert Browning (18121889)
“Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.”
—C. John Sommerville (20th century)