Music Video
The music video for "In the End" was shot at various stops along the 2001 Ozzfest tour and was directed by Nathan "Karma" Cox and the band's DJ Joe Hahn, who would go on to direct many of Linkin Park's future videos (the two also directed the music video for "Papercut"). Although the background for the "In the End" video was filmed in a California desert, the band itself performed on a studio stage in Los Angeles, with prominent CGI effects and compositing being used to create the finished version. Performing on a studio stage allowed Hahn and Cox to set off water pipes above the stage near the end and drench the band.
The music video takes place in a fantasy setting and uses massive CGI animation. The band performs atop a giant statue, which has a 'winged soldier' on top of it, which is similar looking to the 'winged soldier' on the cover artwork of Linkin Park's Hybrid Theory album.
The portions where Mike Shinoda raps first take place in a wasteland with thorny vines sprouting out of the ground, surrounding him and shattering into dust, (first verse) and then grass and plants sprouting up around him (second verse). During the time Mike raps his verses, Chester stands atop a platform with gargoyles on the edges. This platform is in front of a door in the shape of a trapezoid. Near the end of the video, the skies turn dark and it begins to rain, and the band performs in the downpour until the end of the song, where the rain stops and the camera pans away from the tower, showing the wasteland where Shinoda had rapped in is now a lush Greenland. During the rain the statues on the tower begin to move.
The video was co-directed by Nathan "Karma" Cox and LP's turntablist Joe Hahn (who have also directed the videos for "Pts.Of.Athrty", "Papercut", "What I've Done", "Bleed It Out", "Shadow of the Day", and "Leave Out All the Rest)". The production design was by Patrick Tatopoulos who helped design and oversee the production of the non-CGI set. It won the "Best Rock Video" at the 2002 MTV Awards.
A strange-looking whale can be seen flying around the large statue during most of the video, specifically at the end of the video. The whale in the video was Joe Hahn's idea. He has been quoted as saying, "It's not like I pulled it out of my ass; it made sense to me." The reasoning behind its inclusion is still unknown. The whale could be identified as a "space whale" which takes the concept that life (or time) is too short for one to absorb all its mass surroundings. The whale also makes a brief appearance in the music video for "Shadow of the Day".
Although there is a keyboard loop in this song, the video does not show Mike, who is a pianist in the group, or anyone else playing a keyboard in any scene of the video. However, Joe Hahn is shown using a MIDI pad to emulate the piano loop at the end.
Due to the numerous re-uploads by different users, the video has over 100,000,000 views overall in YouTube. The video was uploaded twice by Linkin Park's YouTube Channel. The video was first uploaded on March 4, 2007 in 240p format. The video was later reuploaded on October 26, 2009 in 360p format. It was reuploaded on the same day that the Warner Bros. Records YouTube Channel uploaded the same video in 480p format. It was also used for Peyton Sawyer on One Tree Hill (TV series)
Read more about this topic: In The End
Famous quotes containing the words music and/or video:
“I believe that water is the only drink for a wise man: wine is not so noble a liquor; and think of dashing the hopes of a morning with a cup of warm coffee, or of an evening with a dish of tea! Ah, how low I fall when I am tempted by them! Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America.”
—Henry David Thoreau (1817–1862)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)