Composition
The song opens with a single crash cymbal followed by two bars of 4/4 drumming, then a plaintive three-note guitar line rings through a strummy rhythm, and Martin's vocals. Its instrumentation is varied with the sound of thumping drums, chiming guitars, a singalong chorus, and a string arrangement. The song also features a guitar lick swirl.
The three lines of the third verse allude to a man's love of a woman, who does not reciprocate his love. He is saying he will always wait for her, but he does not think that she should stay where she is any longer. The lyrics emphasize: "But I wait for you/if you go, if you go/leaving me here on my own/well I wait for you." The song's lyrics also include references to a desire for weary optimism.
Read more about this topic: In My Place
Famous quotes containing the word composition:
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)